Tenet Movie Commentary. Before filming, Nolan the perfectionist had polished his idea for six years (and invented – in general – twenty) and again consulted with Kip Thorne, the scientific consultant of Interstellar; on the set he did it for real, without a green screen, he even gouged a real plane – to perfectly show how conflicts in the present can give rise to conflicts in the future or with the future.
And now Nolan is trying to demonstrate the fruits of his labors as effectively and widely as possible; that is, to invite viewers from all over the world to cinemas; moreover, I wanted to conceptually time the premiere of Dovod to coincide with the tenth anniversary of the release of Nachalo, releasing a novelty in the middle of summer. And in the middle of a pandemic. That is, for the sake of a lesson about the future of all mankind, risk the future of each individual viewer. Such is the paradox.
By the way, about the Beginning. It has long been a theory that with the experiences of the Beginning and Argument unfold in the same universe. Why not They are like two parallel straight lines that could intersect under extraordinary circumstances.
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However, how much can you compare Nolan with Nolan For the sake of variety, let’s compare it with Denis Villeneuve and Ted Chan; and specifically – with the movie Arrival, which also knew a lot about manipulating time. The two films have in common both the anti-war message; and the humility of the heroes, in Argument expressed by the refrain what happened happened. But Arrival was fluid and feminine, while Argument was harsh and masculine. This is not about sexism, but about the gender of the main characters; and about their methods, even if such a division is sinning with gender stereotypes. So, Dovod is full of strong women – both in the special forces, and in the underworld, and everywhere else. Another thing is that one heroine of Arrival is written out more subtly; and more authentically than the crowd of heroines of Argument.
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