There Were Plenty of Reasons for Excitement in Daredevil Series

There Were Plenty of Reasons for Excitement in Daredevil Series

There were plenty of reasons for excitement in Daredevil Series – in the second season, blood simply gushed from the screen, and the Punisher himself stepped onto the stage knee-deep in it. Whoever thought of putting Frank Castle in the plot and casting John Bernthal in the role, he’s a fucking genius. The image of a killing machine sits like a glove on Bernthal, awakening in viewers the dreams of a stand-alone TV show about a ruthless vigilante with a skull-sized hole in his heart drawn on his chest. The uncompromising attitude with which the guy strikes the intended goals cannot but cause delight among those to whom Murdoch’s methods seem to be a half measure.

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Ready to Kill

Yes, Daredevil is still not ready to kill. He wears his horned helmet without pride; like a burden to fulfill a sacred vow. Elektra Nachios, who flew out of the past, was his chance to throw off his hair shirt; and cross the line that he once drew for himself, but not destiny. In a desperate attempt by the mean girl to do a good deed; Nachios unrolled the flywheel of events that plunged the heroes into the abyss of an ancient battle of darkness and light. Oh yes, mysticism, hesitating on the threshold of the first season; entered the second movie as a hostess, after the final credits prompting to exclaim: “Basta! It’s time to call Blade for help. “

Somehow, the longing for a black suit is immediately forgotten; and with all the desire to see the continuation of the story; I want the future for Murdoc and his loved ones to be without tragedies. But the fate of a Catholic martyr, who has taken upon himself the heavy cross of the struggle against evil, rarely promises a happy ending, even if this martyr is the devil himself.

The Reasoning of Westworld Series Heroes

The Reasoning of Westworld Series Heroes

The reasoning of Westworld Series heroes will help us to succeed in the eternal search for the meaning of being, in which we are like the Man in Black, maniacally seeking the center of the labyrinth. And its center is always here, in ourselves, because any movie story, written or filmed, tells first of all about a person – that very point of reference, the starting point in a complex system of vital coordinates.

That is why the advice that is banal in the ordinary world to listen to the inner voice takes on a literal meaning here, denoting the main milestone on the path to self-awareness, knowledge and finding oneself. This is the beginning of a journey in search of answers to major questions. Who are we and why are we? What defines us? And how, in the end, are we different from intelligent androids? After all, no one is immune from doubts that our brain is not a generator of original thoughts, but only a device for receiving and transmitting data. Yes, a person is essentially the same robot of bones and muscles, entwined with a network of wires-vessels, but still imagining himself to be something more than a bipedal, coherently thinking piece of meat.

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However, history does not seek to shock, does not present the results of the study of human nature as a discovery – here we already know everything about ourselves. It is rather a reminder that a person overwhelmed by passions is weak; easily capitulating to the temptation to walk along the bottom of his instincts; despite the fact that the craving for power invariably attracts him upward; to rule and command, destroying any obstacles on the way to absolute domination. There are no gods among us – the genius of the technopark Robert Ford understands this like no other. But in order to learn his bitter lesson, it took him too much time and sacrifices; from poor Arnold to Dolores, lost in hell; whose name means “The Mourner” for a reason.

The Most Important Ingredient in the Young Pope Series Is Humor

The Most Important Ingredient in the Young Pope Series Is Humor

Perhaps the most important ingredient in The Young Pope Series is humor, surprisingly in harmony with the drama and intensity of passions raging in the Vatican, which other intriguers never dreamed of. And most importantly, we got a unique opportunity to observe these passions. Despite the seclusion and asceticism proclaimed by the new Pope, the Catholic Church has never been so close to the people. To examine all the characters in this incredible story, there is no need to grab a microscope – here they are, as in the palm of your hand, with all their weaknesses and amusements, dark thoughts, oddities and sins, of which those close to God are no less than any layman for the walls of the Vatican.

And no matter how modern “Young Pope” is by the peculiarities of its interpretation and presentation, yet his heart, proclaiming about growing up, overcoming and searching for oneself, is as old as the world. Here you will involuntarily suspect in Sorrentino and his co-authors, if not geniuses, then exceptionally talented storytellers. They have clothed this ancient skeleton in such attractive flesh that it is as difficult to look away from it; as it is to break away from contemplating the luxurious forms of Venus of Willendorf to His Eminence Cardinal Voiello.

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And if we mention explosive mixtures, then there is no way to pass by the movie soundtrack. She is a separate bright thread in this colorful tapestry. The range of compositions involved is extremely wide: from harsh classics to terry pop. And what they sometimes do in combination with the video sequence defies description. Suffice it to recall the dressing up in ceremonial clothes against the backdrop of I sexy; and I know it, accompanied by a purring Halo message about peace, or the stylish opening of Devlin’s Watchtower.

Strange and Mysterious Tale in The OA Series

Strange and Mysterious Tale in The OA Series

Strange and mysterious tale in The OA series – Its all about a lost and found fugitive does not divide the world into black and white, does not breed operetta villains and does not accept simple solutions. In it you will not find straight lines, like an arrow, allusions and clear parallels. Everything here is shaky, changeable and confusing, as in the lives of the participants in the action. Lost and bewildered souls, crying so eagerly that you want to hug them – all without exception – and console them. It seems, just a little more, and life will break each of them with the usual ruthlessness. However, you can climb out of any abyss if you lean on your right shoulder, albeit as fragile as your own.

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The eight-part mystery, requiring explanations from science, will easily hook anyone who has a thirst for wandering through intricate plots and who knows how to enjoy the journey without hurrying to cross the final line. Indeed, on the way, the wanderer learns so much about salvation and hope, about getting rid of loneliness, about the struggle with the gross materiality of reality and belief in a higher destiny, about family and friends, about cruelty and forgiveness. In this story, there are no fabulous cyclops or lotophages; there is no insidious sorceress Kirka or a round dance of ghosts, but she makes everyday things fabulous; turning people into angels – protectors, saviors, powerful magicians who create true miracles.

No matter how strange this modern poem may seem, in its pretentious, symbolic language; it speaks about simple things, and the main secret in it is not at all about life after death. More important is the return home and the restoration of the long-awaited peace with oneself. And if at the end of the journey, trusting each other, the movie heroes weary of wandering will find what they want, is it really so important how much the cunning Odysseus lied in the story of his wanderings?

What Really Sets Trollhunters Apart From Modern Animated Series

What Really Sets Trollhunters Apart From Modern Animated Series

What really sets Trollhunters apart from modern animated series is the visuals. Responsible for 3D-graphics studio DreamWorks Animations did not skimp on resources and did the work on the level of their recent feature films. The animation is wonderful as it is – smooth and rich, which is especially noticeable in numerous action scenes. Guillermo Del Toro’s caring hand is felt behind the striking design (especially in the underworld). He could not deny himself the pleasure of coming up with dozens of different trolls, changelings, goblins and other monsters.

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Absent of Filler

This beautiful, hilarious and instructive pleasure lasts twenty-six episodes. At the same time, the action does not stagnate even for an episode, many events take place; and the filler series are absent as a class. Even atypical mini-plots like a series with a stop of time or an eerie episode about dreams fit well into the general outline and do not interfere with the action rushing to the end. Several questions, however, remained open. Chief among them: with whom in the second season will the authors replace Anton Yelchin, who voiced Jim? He did an amazing job – as, indeed, did the rest of the movie voice actors, including the regulars on Del Toro projects Ron Perlman and Jonathan Hyde.

The only thing that can prevent you right now from grabbing your kids or younger brothers / sisters; and starting watching the animated series is the lack of official Russian voice acting on Netflix. As for the rest, “Troll Hunters” is not only the best show for a young audience in recent years; but also a real gift to those who miss “Avatar” and “King of Shamans”. But after all, such cartoons are exactly what they love! The heroes of the story are very similar to the spectator, their problems are clear to every schoolchild, and the father or elder brother sitting in the next chair will gladly tell you whether the hero acted well or badly and what lesson should be learned from this.

It Is a Pleasure to Watch David in Goliath Series

It Is a Pleasure to Watch David in Goliath Series

It is a pleasure to watch David in Goliath Series – Thornton ate the dog on the roles of eccentric, charming professionals. A signature look, an insinuating voice and a familiar smile – if Billy asks you for something, then with the look as if you have already done it. It is impossible to argue with him, and the first season of “Fargo” is confirmation of this. The hero is opposed by no less bright personalities. The bosom enemy in the person of Donald Cooperman is brilliantly played by the Oscar-winning William Hurt.

The character suffers from extensive burns and practically does not appear in the frame in the light, ashamed of his monstrous appearance. From a darkened office, he directs his “courtiers”: senior lawyer Kelly Senate and assistant Lucy Kittridge (familiar from “Dredd” Olivia Thirlby). For eight episodes, the main characters manage to go through a metamorphosis, revealing previously unheard of character traits – mostly negative. And only Billy McBride remains true to himself and seeks to recover from vices rather than make new ones.

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The Distraction

The only thing that can distract from the fascinating course of the confrontation is the plot jambs. For example, when Billy and his comrades in search of military specialists find an engineer; and he turns out to be a guy fired due to mental problems; it would be logical to find a more reliable person. As a result, the engineer, as expected, becomes the source of the problems that McBride’s team already lacked. However, many thanks to the movie scriptwriters for the fact that plot bloopers lead to funny twists and the viewer quickly replaces the facepalm with a satisfied smile.

Despite the closed finale of the first season, McBride’s new case is eagerly awaiting. First, the storyline of Billy’s relationship with his daughter and ex-wife has not been complete. Secondly, when Thornton’s face appears on the screen; the world around is transform. Santa Claus from a childhood hero becomes a uniform scum, an ordinary hairdresser begins to behave like a noir character; and, as in our case, an ordinary court case turns into a real battleground for charismatic lawyers.

The Man in the High Castle Series Review

The Man in the High Castle Series Review

The Man in the High Castle Series Review – Netflix’s success in the TV arena not only delights viewers with quality content, but is also an infectious example for the rest of movie streaming services. One of the first to be inspired by the Internet giant Amazon, whose multi-part flagship was the adaptation of Philip K. Dick’s novel “The Man in the High Castle.”

As in the book, the basis of the series is an alternate history, where the Axis countries won World War II, occupied the United States and divided them into pieces like pie, and the American people had to live under the yoke of fascism. The success of the pilot, which aired in early 2015, prompted Amazon to order the full first season and renew the project for a second, which was released last year.

The narrative is built not only on the demonstration of the oppression of the inhabitants of the States. The plot is driven by the Man in the High Castle; who releases “films” – documentaries about how the Nazis lost the war, the Americans dropped atomic bombs on Japan; and the United States lives happily and carefree. And these echoes of our history are maniacally hunted by a living, but not quite healthy Hitler; who, like the viewer, cannot ignore the thought: “What would happen if? ..”

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On different sides of the barricades, Shang Tsung, beloved by many, are fighting, that is, Carey-Hiroyuki Tagawa, who is still stingy with facial expressions and compensates for its lack of personal charisma, and Rufus Sewell, in the role of Obergruppenfuehrer, makes you forget that he is an Englishman by birth, and not a true Aryan … Performers of the leading roles, Alexa Davalos and Luc Kleitenk; are hopelessly lost in the shadow of their more talented colleagues. Largely due to the lack of expressive play of the main actors with each new episode; there is a desire to turn into Stanislavsky with Nazi stripes and exclaim: “I do not believe, Mayn Fuhrer!”

We must pay tribute to the creators of the series, they did not make an evil empire out of Germany; and Japan. Yes, Jews are persecuted, patrols in the streets shoot the unwanted up to those who “passed by; and we have a demonstration action here”, but neither New York nor San Francisco is not Mordor; and people without moral principles are like among the invaders and in the ranks of the Resistance.

The Idea of ​​Shinkai's Latest Film

The Idea of ​​Shinkai’s Latest Film

The fact is that the idea of ​​Shinkai’s latest film is atypical not only for his own work, but also for Japanese animation in general. In the conflict between private and public, the inhabitants of the Land of the Rising Sun traditionally prefer the latter. And no wonder: the harsh natural conditions of the archipelago made collectivism the only successful strategy for survival, so that the Japanese still have it in their blood.

Europeans are not far from this doctrine: when it comes to saving the world, we are ready to forgive the scriptwriters for the death of their beloved hero. Why, we consider such a plot move to be the only correct one from a moral point of view! Shinkai in WeatherChild turns this concept upside down, leaving the viewer with a gaping mouth in surprise.

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The Violation

Such a “violation of the foundations”, no doubt, will cause bewilderment or even irritation among a part of the public. The creator of the picture understands this himself; “I don’t know how the audience will accept the final of our picture. Surely there will be different opinions, both positive and negative. “

But this polarity of opinions is valuable in itself. It means that the author not only entertained the audience with his film; he made them think about what previously seemed to be an infallible truth.

Therefore, Shinkai continues to be an innovator, even having found his own style and an inexhaustible topic for himself. In Weather Child, he again tells a sentimental love story in stunningly beautiful scenery, but puts a fresh idea in his seemingly simple romantic fairy tale movie about which you can argue for a long time with friends and neighbors in the cinema.

No matter how good and commercially successful the artistic formula is, it is not able to fully satisfy Shinkai’s creative needs. And it is precisely this quality that distinguishes great craftsmen from artisans.

Villain of A Series of Unfortunate Events

Villain of A Series of Unfortunate Events

Villain of A Series of Unfortunate Events – But God bless him, with everything else. The main intrigue for the public was the new incarnation of the insidious villain Count Olaf – the persecutor of the Baudelaire, the source of their constant misfortune and anxiety. Twelve years ago, with the release of the full-length version, Jim Carrey simply stole this character from all his subsequent potential rivals. Neal Patrick Harris had to bear the cross of inevitable comparisons, having taken on such an unbearable burden that it was clearly felt on his shoulders in at least two initial episodes. But already with the appearance in the story of Stefano and the rest of the reincarnations of the “great actor” Olaf, things for Harris went better and better – uncertainty disappears, a new villain is born.

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However, it was not easier for the children – their young colleagues from the big screen coped with the roles perfectly; However, casting directors working with Netflix have a reason to eat their bread: Malina Weissman, Louis Hines; and Presley Smith have got used to the images of Baudelaire orphans just as well as their predecessors.

The second movie season (and there is no doubt about the extension of the series) will surely feel freer and more confident on untouched paths, and this is already noticeable. The fourth book “Sinister Sawmill” was not include in the cinematic universe “Lemony Snicket”; which freed the hands of the creators and actors in the seventh and eighth episodes. If the previous stories of comparisons with the full-length favorite of the public cannot be avoid; then the success of the next seasons will depend solely on the efforts of the troupe; and hackers are not keep there. Therefore, remember firmly: no matter how much Lemony Snicket himself asks you to turn away from the screen; and Neil Patrick Harris did not agree with him in the songs in the opening credits; act like all naughty children; promise not to watch and do the opposite.

The New Trend in Terminator Movie

The New Trend in Terminator Movie

The New Trend in Terminator Movie – Well, and where without other current trends, including THEIR – women, loved ones, strong, independent. All three qualities are embodied in the returned to the screen Linda Hamilton, the obligatory fanservice tablet in order for the film to be compared with the second, reference part (of course, in favor of the copied material).

She here performs approximately the same function as, for example, Jamie Lee Curtis in the last “Halloween” ; makes sure that the series loved by many does not completely crumble into dust, and, of course; illustrates the truth that “and at 63 Sarah Connor I’m inside. ” Unloved, but strong and independent, there is also a new Grace, a cyberized madame from the future; a clear illustration of what every radical feminist should strive for. And not very strong, but just independent too – a Mexican of the proletarian varieties, who in the future should raise a rebellion against the damned machines. And yes, John Connor is quickly consumed: men are either not held in high esteem here, or terminators.

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And terminators, in turn, are either uninteresting or old. The uninteresting is the new movie villain, who even has an unusual and faded name, like the model of a new phone. However, it is difficult to call him a villain: he plays in the T-1000; also seems to made of a semblance of liquid metal (and knows how to split in two).

He also pretends to be his own among the police and military, he also tries to be cold and frightening. But if Robert Patrick could do all this, then Gabriel Luna, of course, is able to confuse someone, to pierce someone with something, to frighten someone, but three stern women with rapture themselves beat him up throughout the film, like a punching bag … The new villain is not as pathetic as the antagonist of the fifth part; who ran a race with Sarah Connor, but in facelessness he is not inferior to him.

May the Savior Not Come in Terminator: Dark Fate Movie

May the Savior Not Come in Terminator: Dark Fate Movie

May the savior not come in Terminator: Dark Fate Movie – The modern viewer, raised in a fertile popcorn field, significantly fertilized with a metamodern disregard for everything covered with the scab of time, to be honest, basically absolutely does not care what happened at the end of the century with your Skynets. Soaked in sugar-free Disney spill coca-cola syrup, he simply won’t understand why oldfags are so dragged away from old films with now-eaten bodybuilding and the career of governor Arnold Schwarzenegger. He will not be imbued with attempts to revive the franchise batey of the series.

James Cameron, who snatched his favorite episode from the clutches of the producers who had killed it between the filming of the new “Avatars”. Just take it and quote the character of Tom Cruise from Soldier of Failure: “He is a fading star, a white dwarf flying into a black hole; these are the laws of physics, they are inevitable. ” Even the T-1000 had to run out of energy one day. And now he was exhausted. In fairness, he tried his best to say goodbye to the viewer with dignity.

Also Read: Keith Shortland Vision of Black Widow Movie


Political Stuff

To make the film look a little more cheerful, a dull; and dull political subtext is woven into it: a Spanish family that lost their jobs due to robots; that same (okay, not the same, but you understand) wall on the border of the United States; and Mexico, a prison for immigrants with the homeland of the fajitos; the flight of a family from a country now ruled by a president with the face of an iron Terminator. Why all this was need is categorically incomprehensible: it is totally far-fetch, wires; and microcircuits and does not add any relevance to the film. “The Terminator” has never really been about politics movie at all.

Lastly about the danger of irrepressible technological progress – yes; but why put on all these decorative little things; about the plight of Latin American leftist-minded victims of technological progress, only Cameron knows. The funny thing is that the last “Rambo” with another star of the action movies of the 1980s and 1990s, Sylvester Stallone, also moved to Mexico. Looking forward to the films “Kickboxer: A Kick on the Pinata” and “Under Siege: El Sigalte”?

Keith Shortland Vision of Black Widow Movie

Keith Shortland Vision of Black Widow Movie

Keith Shortland Vision of Black Widow Movie – But in this film there should have been as few white men as possible, so bear with it. Dreams are dreams, but a wretched novella and jokes about menstruation are on schedule. At least this is the course of director Keith Shortland, firmly convinced that Black Widow came about thanks to the #MeToo movement, and not because this film has been begging for so many years.

But let’s take a look at what she did and whether this tape can be watched by normal viewers. It all starts extremely cheerfully, almost like in good dynamic spy-political thriller movie, and the operator chooses several sensible angles, recalling that Scarlett Johansson is loved not only for her acting, but also for, so to speak, the shell. However, the further, the more the film turns into a secondary Marvel project with drawn drama, typical and not the most inventive action and, of course, large-scale explosions in the end. There are a couple of bright spots in this action, but it is more melancholy than gratifying. As a result, most of all episodes come without action at all; when good actors are trying hard on the screen. But how much will their works be enough for a simple spectator, if he has already seen everything else many times?

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Yes, Black Widow is not the worst movie and certainly not the worst movie in the MCU. However, it no-no yes raises questions that arise in the midst of the audience slumber. Who are these films for now? Will Kevin Feige ever take risks in the future? Is there be anything outside of supporting women, gays and blacks in the series? Will there be films … for the viewer and not for the saliva-splashing, tolerant-inclusive press? “Black Widow” can be watched literally once, but if the tape already raises such questions; then all the following Marvel projects should now be treated with very great suspicion. Like the pretty girls found on the streets of Thailand, all the paintings are now potentially tricky. Be attentive and careful.

The Plot in Sneaky Pete Series

The Plot in Sneaky Pete Series

There are no narrative processes that do not affect the plot in Sneaky Pete Series, which functions thanks to skillfully used internal resources, doing without crutches and scenario kicks from the piano jumping out of the bushes. Accidents slip through, but without abuse. The heroes are worried exclusively on business, without clogging up the timing with reflection – the family, of course, first of all, but no one sheds tears because everything in it is going awry. The story has been turned into one big scam with super high stakes, where you need to have time to save everyone from everything, keep the most important secrets intact and in addition get hold of one hundred and fifty thousand cash. There is no time for snot.

In a word, there is no lightness and empty games in “Sly Pete”. You can give a hand to cut off, the actors are only happy with such a turn; the characters have turned into living people without a strict division into good and bad. And it’s not difficult for masters like Brian Cranston, Giovanni Ribisi, Margot Martindale; or Peter Gerety to give their characters a soul. To get use to such heroes, whoever they are, is a trifling matter.

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The story of a swindler who, contrary to all his original plans; became attached to strangers and for once did not run away; but, lowering his visor, went into a frontal attack on the most terrible enemy; with all his lyricism sometimes takes on tragicomic turns, but, damn it, this a life. She sometimes throws out a trick cleaner. And the everyday life of a professional fraudster is full of furious tricks; and brain-bearing surprises – sometimes in the literal sense of the word.

The season movie finale throws a reliable bridge to the sequel: the future will bring Marius together with new “dragons” – hardly less toothy and fire-breathing than the defeated Vince. And a talented criminal, as if dressed in armor in noble motives for the battle with new monsters, is the same good old trick with dressing up, which, despite the banality, always works.

The Achoura Movie Was Originally Named in Honor of the Ashura Holiday

The Achoura Movie Was Originally Named in Honor of the Ashura Holiday

The Achoura movie was originally named in honor of the Ashura holiday, and indeed had several points of interest due to its unusual foreign-religious flavor. However, the movie was filmed by Hollywood standards, taking as a basis the techniques of the elementary grades of directing horror films. The local demon is often shown, close, and even cheaply animated, brushing the last crumbs of horror from the table of the film. Neither the story nor the atmosphere can resist the regular attempts to break down and disappoint the viewer. Only actors who simply have no time to go beyond their heroes hold on to their places, so they just keep the given type.

However, the director still has a couple of interesting decisions hidden away. A kind of artist’s attempt to restore the memories of his girlfriend and the “inner demon” inside the demon; if not the twists and turns, then at least the things that make you believe in this film for a short while. For a second, imagine that there is some depth in it. In fact, of course; there is no more depth in it than in the last puddle drying out in the heat; but for an attempt the film deserves one prize-winning banana magnet for the refrigerator. Someone does not have this either.

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Reason to Watch This Movie

Why should we watch this, and even three years after the world premiere? Well, first of all, you probably haven’t heard about this film and missed it. So for you it will be a new project, and even a rare low-budget horror movie that goes to the cinema, and not immediately on streaming. Secondly … but there is no “second”. Passage cinema is a pass-through cinema; and even in the absence of fish it will not cause a lot of emotions.

The very case when there will be absolutely no regrets from the fact that the film was missed. However, even if you look, nothing will remain in your memory except for a poorly animated monster. Neither the second “It”, let alone the second “Babadook“, nor even the “Conjuring” came out from the authors. So, an inconspicuous fad in the filmography, which stands out only by the “red zone” of the rating on IMDb.

In Taboo Series Stephen Knight Does Not Shy Away

In Taboo Series Stephen Knight Does Not Shy Away

In Taboo Series Stephen Knight does not shy away from obscene language, piquant scenes and necessary cruelty. In addition, the picture is good, and the dialogues, as usual, are capacious and do not sin with flowery verbosity. But the action, packed into eight episodes, resembles a protracted prologue: no matter how many events have happened since James Delaney rose from the dead, alarming the London light, the feeling is as if he only set foot on his native land yesterday.

It is difficult to say whether this is the fault of a viscous movie atmosphere that dissolves everything in its density or too close attention to the main and secondary characters, mercilessly eating up the timing. Perhaps a little bit of everything. Only one thing is invariable – the figure of Delaney, towering in the middle of all this whirlwind – a strange, terrible, laconic stranger, a kind of inspiration for Jack the Ripper and follower of Cesare Borgia in one person.

The English Count of Monte Cristo of the Regency era does not justify his title; James Delaney is similar to Edmond Dantes only in that both of them are obsessed with revenge for the evil they once inflicted. But in eight episodes; the aforementioned Frenchman would have had time to take revenge on everyone on his list ten times; while our hero barely manages to extricate himself from the troubles lying on his head. He has neither fantastic riches; nor an aura of omnipotence, nor ease in cranking ingenious schemes. Delaney’s life is much more similar to reality than to a Dumas fairy tale; important matters require preparation and cannot be resolved on a swoop.

Also Read: One Glance in Patriot Series 

The Finale

But the finale of the first season included, it seems, all the fuse, which would be enough for eight episodes: the cruel denouement of an intricate political game, a bloody clash with the troops of the crown, the death of several characters and the endless sea as a symbol of an open ending. We must pay tribute to James Kezaya Delaney – he is a hardened intriguer, a skillful player, a wise; and cunning fox, whom neither the monarch’s entourage nor the almighty East India Company could beat. The lone fighter was not without losses; but nevertheless escaped from the enemy claws – however, he probably went not to earthly paradise; but to meet almost more serious trials; which the inhabitants of the viper’s nest called the civilized world never dreamed of.

One Glance in Patriot Series

One Glance in Patriot Series

One glance in Patriot Series enough to understand that Tavner is completely unsuitable for the job and does not want to do it. In his eyes is the sadness of a guy who, in childhood, succumbed to his father’s persuasion to continue the family business, instead of doing something he loved. However, this does not prevent him from being a skillful operative and a cold-blooded killer, which only intensifies the contrast. John Tavner is not the hero we need or the hero we deserve. He is not a hero at all, but simply a person out of place, trying to understand himself and the world around him.

To match the protagonist and others. Even episodic characters are not movie cliches. Played by Terry O’Quinn, John’s boss and concurrently his father, with his condescending attitude to work, resembles the owner of a car repair shop or diner rather than a stern veteran of intelligence. A Luxembourgish detective with the appearance of a French movie star, Aliette Ofeym, turns out to be a work-obsessed feminist; she practically does not deal with her own daughter and defends her authority in disputes by playing “Rock, paper, scissors.” The congressional brother is crazy about the Beastie Boys and yellow Bruce Lee tracksuits.

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The Colleagues

Even Tavner’s fake work colleagues are outstanding characters. The chief was being treated for cocaine addiction. The owner of the company is crazy about Asian women, especially when they spank him. Steven calls himself Eugene and is rehabilitated after a car accident with John’s help. And Peter Ichabod, whose last name is considered a nickname; is afraid of women (including his wife) and just wants hugs. One thing unites these guys: they all terribly resemble real people. These are not clichéd flat people from spy fighters, but real personalities endowed with passions and vice. One gets the impression that Konrad made every effort; so that any viewer would meet a freak similar to himself in the series.

Thoroughly Introduced to the Heroes in Legion Series

Thoroughly Introduced to the Heroes in Legion Series

But we are thoroughly introduced to the heroes in Legion Series – David, in whose brain a good part of the action takes place, is played by Dan Stevens, and the choice of the actor is justified from the very first minutes. Sid, also known as “We weren’t given the rights to mutant Rogue,” was portrayed by the adorable Rachel Keller from the second season of “Fargo”. However, David’s girlfriend Lenny is perhaps the most impressive.

At first, she is pretty funny, but over time it becomes a much more ambiguous, frightening character. Aubrey Plaza has already earned a reputation as an actress, ready for any role; and fits perfectly into the local ensemble. To the special delight of fans of New Zealand cinema, one of the roles was noted by Jemaine Clement; a member of the Flight of Concords group and an ally of Taiki Waititi in the film Real Ghouls. Charismatic Oliver Bird is not only a telepathic person imprisoned in a cryogenic chamber, but also a beatnik poet and connoisseur of avant-garde jazz.


Also Read: Legion Series Begins to Resemble Even the Not Obvious Matrix 

The Mind

By the way, Oliver’s mind lives in an ice cube suspended somewhere in the limb. From here we move on to the main advantage; and at the same time the disadvantage of the “Legion” – the psychedelic nature of what is happening. Some scenes in David’s unstable mind repeat the style of Terry Gilliam’s films; everything in them is bright, shaky and incomprehensible. Sometimes there is a uniform horror movie with screamers and a creepy Stephen King fat man in the role of the main monster. Traveling from memory brings to mind scenes from; “Eternal Sunshine of the Spotless Mind.” And when, closer to the middle of the season; The action breaks out of the mind of an individual mutant, the line between the real world; and the illusion is completely lost.

Legion Series Begins to Resemble Even the Not Obvious Matrix

Legion Series Begins to Resemble Even the Not Obvious Matrix

Legion Series begins to resemble even the not obvious Matrix or Beginning, and the series “A Man Seeks a Woman” is another reckless FX project, where all kinds of postmodernist ways of displaying reality are also used. Black and white scene with silent movie subtitles – if you please. Explanation of David’s childhood in the form of drawings on the chalkboard – please. And the presence of some crazy scenes, like Aubrey Plaza’s dance to the hit Feeling Good, has only one explanation: “Because we can.”

Also Read: Holy Simplicity of Iron Fist Series 

Lack of Things in The Movie

However, even the show’s most dedicated fans won’t deny that Legion isn’t perfect. Lack of budget is the most objective disadvantage. Most of the events take place in the same premises; and complex special effects are not particularly pampered even during action scenes; which for the X-Men series is far from a flattering characteristic. Visually, Legion looks poorer than Netflix’s superheroics. To compensate, the creators used a technique in the spirit of low-budget British movie, such as “Utopia” or “Black Mirror”: the abundant use of color filters made the picture stylish, expressive and far from reality. This is facilitate by working with sound. When David hears voices, the viewer hears them with him (it is highly recommend to watch the series with headphones).

It is impossible to remain indifferent to “Legion” and rate it “Sterile”. For one viewer, this is a strong “Kino”, a fresh look at the superhero theme and piece work. For others – “Shit”, causing resentment and desire to revisit Brian Singer’s films with normal X-Men and normal action. It all depends on the priorities of the viewer. Legion does not follow the standard Netflix scheme of a successful series – it is risky and fearless, and therefore deserves attention.

Thanks for reading this movie review article.

Holy Simplicity of Iron Fist Series

Holy Simplicity of Iron Fist Series

Holy Simplicity of Iron Fist Series – In the yard team of Marvel, Danny Rand was assigned the role of a younger brother – an awkward, timid and yet inexperienced guy. A guy, what a sin to conceal, capable, but, unfortunately, there is no one to help him settle down in an uncomfortable and cruel world. In the absence of a wise mentor, “Iron Fist” strives to resemble the “Daredevil”, and, like all younger youths, is not always able to outrun an older relative in his skills.

It’s a pity to scoff a diligent young man for his honest desire to make a feasible contribution to the common cause; the fourth solo album is puff up on two fronts at once; speaking not only as an original story about the non-trivial fate of another street superfighter; but also as an important addition to events from the world of Hell’s Kitchen. In the quartet of future “Defenders”; Danny Rand’s story in spirit and mythology is most closely connect with the life of the Scarlet Devil.

Also Read: There Is a Rich Folklore Soil in Castlevania Series 



A mysterious order of deadly mercenaries, the resurrected dead, ninja armies, an ancient war, a secret city – this dark romance keeps the plot afloat, preventing it from being drowned by corporate showdowns, which have left most of the narrative at their mercy. If the supporting actors did not work out their bread so conscientiously; their endless and often meaningless dialogues would be completely unbearable. But much in the family squabbles of the Rands and Michams is decided by the correctly built interaction of the movie characters and competently disclosed emotions.

Danny Rand’s naive, lost boy with good intentions; and a disarming smile is an order of magnitude different from the gloomy; broken past Jessica Jones, Luke Cage and even Matt Murdoch. Although, in its correctness, a curly blond billionaire is closest of all to an infernal Catholic. Let Danny, like everyone else, be violent and angry at times, even his anger is pure, unclouded, childish. Yes, he bears the proud title of the Iron Fist; but it is obvious that living weapons have yet to be forge: the guy did not finish his studies; did not acquire all the necessary knowledge; and in addition, was decimate by psychological trauma.

There Is a Rich Folklore Soil in Castlevania Series

There Is a Rich Folklore Soil in Castlevania Series

There is a rich folklore soil in Castlevania Series, and a powerful mythological background, and a solid historical foundation, and, of course, the abundant legacy of the game on which the animated series is film.

A worthy frame for such a solid backbone is a lively, rich picture with a verified composition; a fantastically pleasant color scheme, an excellent balance between conversations and actions. And with choreography, including combat, complete order. The narrative is dynamic, without plot sagging, with a clearly observe dosage of epic moments; where energy is gushing over the edge, especially in scenes with manifestations of the evil will of the almighty Dracula. Well, the R-rating is simply necessary for the series. Horror prowls through Wallachia by no means on soft paws; the formidable Vlad exclusively earn the nickname the Impaler by his deeds.

Also Read: Further Development of the Preacher Series Story 


The Magic

The real magic of the creative genius rarely loses in the battle with the audience’s expectations; even if they have reached exorbitant heights. The team coped with the task; and all its members from the director to the voice actors can be proud of themselves without false modesty. And it would not have worked out otherwise, because the movie script was work on by the respect author of comics Warren Ellis, the creator of the soundtracks for The Tudors, Vikings and Borgia, Trevor Morris, was involved in the music, and the project was produce by clever Adi Shankar, a well-known lover of the gloomy and strong plot.

The stars form, the team rallied, Netflix blessed, and the magic worked – Castlevania came out with a flawlessly harmonious work, graceful and slender, like the silhouette of a Gothic temple. And akin to how the life flaming in the stones of the cathedral hardly leaves anyone indifferent; so the adventure of Trevor Belmont’s team will not leave anyone indifferent – nightmarishly exciting and no less intriguing.

Further Development of the Preacher Series Story

Further Development of the Preacher Series Story

Further development of the Preacher Series story assumes a variety of options: depending on the results of the visit to the witch, Jesse may lose faith in her mission and begin to fight against the Grail, hell and heaven – to start a war for resources, vampire hunters – to arrange a pursuit of Cassidy. Everything’s possible. Those who wish have joined the original source and roughly know in which direction the movie plot will move, others decided to wait for the next season and get to know the world of “The Preacher” gradually. One way or another, another immersion awaits us in the beautiful, albeit terrible, non-trivial world, where people do not talk about serious topics, do not have philosophical conversations, but by their actions push the viewer to think about human nature, their own actions and the principles of creating a good movie.

Each hero is, in fact, a walking suitcase of vices, dangerous to himself and others. But in the strange world of The Preacher, you can hardly be anything else. And the more flaws in the characters’ characters, the more valuable are the manifestations of humanity in them.

Also Read: The Preacher Series Fight Directors Are Worthy of All Praise 



The relationship of the trinity of protagonists underwent serious tests; and how they will manage the situation, we will know only in a year. If Jesse had been more attentive; and not so stubborn, Cassidy would not have had to convert and kill her son; and Tulip would have avoided lead poisoning. Of course, it is not known whether it is possible with the help of Genesis to cure the patient; and it would be possible to expose the neighbor earlier, if the friends were together; but the chances of a successful outcome would clearly increase.

But the mistakes of the heroes are not at all the same as the mistakes of the screenwriter – these guys are great. When watching, you don’t ask: “Why did he do that?”, And if this happens, the series gives a clear explanation of the character’s actions. There may be several options, the most obvious: the old Nazi just used the guy to get out of hell; but it is possible that there are more complex motives.

The Preacher Series Fight Directors Are Worthy of All Praise

The Preacher Series Fight Directors Are Worthy of All Praise

The Preacher Series fight directors are worthy of all praise and have earned the right to service out of turn for an excellent scuffle, which is not inferior in quality to the fights in “Sorvigolove “and” Banshee “. In addition to good choreography, there is a high-quality camera work, which adds attractiveness to the already spectacular fights.

The series has a feature that distinguishes it from most fantasy projects, including “Constantine”, which one cannot but recall when watching. Here the expression “create in his own image and likeness” was take literally and to the absolute. In other works, otherworldly creatures, having arrived in our world, take on a human form, because it is convenient (first of all, it reduces the cost of special effects and makeup), but in The Preacher, angels and demons are the same people, only with slightly exaggerated qualities of character … The closing scene of the last episode hints that the Lord himself is not very different from man.

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Second Season

In the second season, much attention is pay to the arrangement of the earthly and otherworldly worlds. First of all, hell is show in all its glory – other series rarely spoil us like that; preferring to limit ourselves to hints and stories. Heaven has not yet been seen, but there is reason to believe that everything is about the same there, the only difference is in movie design. The thesis “what is on earth, so is in heaven” is also not ignore, albeit in relation to the underworld. The same laws work there as we do, primarily the principle of limited resources.

Therefore, the generator is cover in hell due to the unauthorize arrival of a new prisoner; and you can get out of there through the back door. With its realism, the local version is more frightening than the standard Gehenna with dismemberment and torture. Of course, no one wants to endure physical torment, but always having the worst memories is also an amateur pleasure.

The Strain Series is Different From Book

The Strain Series is Different From Book

The Strain Series is Different From Book – For a viewer unfamiliar with the book, the origin of the Master and the rest of the Strigoi will remain a mystery. However, the decision to remove religious motives and mysticism from the series is undoubtedly correct. Strictly speaking, this story is not about monsters, but about a person and his actions. The owner, although he embodies absolute evil, does not cause such hostility as people who are ready to serve him. The propaganda machine is shown in all its glory, designed to turn the human idea of ​​good and evil. During interrogation, Desai, who replaced the late Palmer, continues to bend his line, confident that he is the good guy here. This scene looks eerie than the sight of exsanguinated prisoners, because the likes of it have to be seen in the real world more and more often.

The scene with the finally determined Zach brings to mind Return of the Jedi. The hero finds in himself the remnants of humanity and does a good deed for the sake of a loved one – only this time the son stands up for his father. There are many shortcomings that can be forgiven for this scene; the only pity is that Fet’s afterword spoils the impression a little. One could do without reasoning about love. Zach is not the most pleasant character – with his last act he brings to us more than the whole monologue of Vasily.

Also Read: Let’s Die for Sour Cucumber and World Revolution in Bender Movie 


Action Lost

The movie action has not lost its quality, and the new living conditions have added the heroes reasons to shoot and fight. The former doctor, hacker; and rat-catcher learned to handle weapons no worse than professional military men in a few months, and now not only vampires; but also armed detachments of policemen are being knocked down in packs. And when serious problems arise, Mr. Quinlan appears and solves them.

The cruelty has increased, moreover, the authors do not seek to show all the abomination of what is happening – sometimes a few frames are enough for the viewer to figure out what horrors are happening in the conditions of the new Holocaust. But in the end, catharsis awaits the audience; and the evil uncles – retribution: the head of the collaborator is smashed; and the Nazi Strigoi dies after drinking poisoned blood.

The series ends on an optimistic note: everything is back to square one; humanity continues on its way to a brighter future; and for sure people will soon pretend that nothing happened. Del Toro did not create a masterpiece; but gave us a quality product that entertains on a summer evening; and in combination with alcohol can set us in a philosophical mood. Having warped the romantic image of a vampire; del Toro must take the next step – to shoot his own version of “Twilight”.

Let's Die for Sour Cucumber and World Revolution in Bender Movie

Let’s Die for Sour Cucumber and World Revolution in Bender Movie

Let’s Die for Sour Cucumber and World Revolution in Bender Movie – Falling into ambition, do not fall out of reality. In the production office “Wednesday” under the patronage of Alexander Tsekalo, this truth is rarely neglected. Their current state can be described by the unsightly wording “plus or minus is good.” Proofs? Fact number one – their series periodically leave for Netflix. Fact number two – is the first point not enough? The filmmakers have both Trotsky and Fartsa on board, and Alexander Kott and Yuri Bykov – the orders have  written, royalties have been pay, and the audience is as happy as elephants.

Because of that today the bosses of Wednesday decided to repeat the trick that their most fruitful director Yegor Baranov performed a couple of years ago. The scheme is terribly simple and absolutely logical: we shoot a movie series, cut it a couple of full meters, roll it in cinemas, and then release all this mess on small screens. And the wolves are full, and the sheep are safe, and a coin falls into a pocket, and an honest Russian producer remains in the face of morality.

Also Read: About People and Machines in Halt and Catch Fire Series 


Then, in 2017, Nikolai Vasilyevich Gogol fell under the distribution. The great writer was present with the face of Sasha Petrov; and sultry Poltava was turn into Burton’s Sleepy Hollow; populating the Ukrainian wilderness with mermaids and witches. Now the “Sredovites” are looking at the literary heritage of Ilf and Petrov; more precisely, at the mysterious past of their most memorable character – the great strategist Ostap Bender. A slender rogue with the eyes of an Assyrian did not part with a white cap and a woolen scarf; he loved free life and crunchy gold pieces. In the books, Ostap betrays Soviet citizens into rubles at the end of the NEP. Well, the creators of “Bender: The Beginning” decided to give the hero a kind of origin in the spirit of Marvel, moving the scene from the late 1920s to 1919, in the midst of the Civil War.

About People and Machines in Halt and Catch Fire Series

About People and Machines in Halt and Catch Fire Series

About people and machines in Halt and Catch Fire Series – The four-year epic against the background of the emergence and development of the computer industry has come to an end, and did not fit into the cozy but cramped niche of technodrama movie. Because in spite of all the industrial and emphatically geeky surroundings, “Stop and Burn” is a movie story about people whose relationships are much more complicated than any other algorithm and, perhaps, much more interesting than any, even the most sophisticated machine.

But to break a person is as easy as shelling pears, like any mechanism he has invented. This is what the story is about. About four incredibly gifted, strong, brave personalities who grew up in the era of a crazy breakthrough – the creation of the first personal computer and everything that followed. Four burning hearts, which, joining forces, burned brighter than a thousand suns … and almost burned each other.

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The Norm

These people – enthusiasts, maniacs, fanatics – knew nothing about the norm and were therefore unable to live an ordinary life. It fell to them to work in an era of great changes, which; as you know, you cannot wish for the enemy, but there is no better time for revolutionaries. These people created, performed feats; went crazy, created a new reality – they could do anything, but they could not just live.

It is difficult to say how generalized and complete this collective portrait turned out to be. It’s hard to determine how many of the 80s tech pioneers share the imagery of Joe McMillan, the Clarks; and Cameron Howe, but the characters are so deep and expressive that it doesn’t really matter. Perhaps many viewers started watching the series in the hope of plunging headlong into the thick of the industry, but only those who really got used to them with their souls went all the way with the heroes, albeit sometimes the mother of others for extravagant actions. What to do, creators are not easy people.